Inside drying for next days alterations The photos below, chosen randomly, are from students in the class at the end of the final day. |
Tuesday, April 25, 2017
Nature's Calling, a workshop I gave for the Friends of Calligraphy. A full weekend with 18 students. I wouldn't have made it if it were not for all the volunteers that help set up. Nancy Noble was my right hand assistant and Elena Caruthers was the coordinator. I had four roasters going and lots of plants to share. Students also brought plants in to share. Here are some photos from the whole weekend.
New Altered book for Marin Museum of Contemporary Art show. Visiting the San Francisco Center for the Book, I noticed how books and cards are displayed and how difficult it is if it is not on a pedestal to be able to be seen all around it and opened to see inside of it. I know this display piece I engineered doesn't solve anything more than a few pages of either, but I thought it could work a little. I wasn't sure about what to use as its base or the structures supports. Just checking through my stashes, I noticed the Mexican Amate paper that was left from a class of Jane Dill's and a piece of cork left from a bulletin board I had made. Then, in my storage, I notices the left over dried flowers from a previous work. Here are some photos of my procedures. I did many a sketch and thought about this a lot. The printed papers from my Eco-Printing were altered to make an accordian book. Everything is natural, even the nori glue to the walnut ink, cotton paper and real plants for printing and supports, the amate bark paper and cork base..
Here the base has been readied for the holes made by a awl. You can see the template below that I worked out on Illustrator. I also Eco-Printed the papers to make the accordian folded book. |
This is the front with the title of the piece, The Plant Stand. |
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