Wednesday, January 1, 2020

Pence Gallery 'The Printed Realm"


This is a piece I made with Botanical Printing. It will be exhibited at the Printed Realm show at the Pence Gallery. It is a print on paper, mordanted and printed with leaves of cotinus, Eucalyptus, maples and a few other leaves, steamed in unknown bath of probably iron, tea and onion skins.
The dilemma I had was to determine the direction of the piece. It could go in any direction.



Sunday, August 4, 2019

Paste Paper with Madeleine Durham

Two hot, very hot, days in Sunnyvale, and we Pacific Scribers were so excited to learn to make the beautiful papers that Madeleine produces, it was OK. She taught her techniques in a very organized and understandable way. She had lots of different designs she shared with us and, as a colorist, she would whip up something beautiful in 5 minutes.  It's the swing and sway of the brush, with control of course, that is the secret. It intrigued me that I would put two colors together, that I probably wouldn't usually, and produce a nice piece. It was so much fun but exhausting because of the high temperatures of the day.

This is just half of what I made.

Sunday, July 21, 2019

Another Botanical Printing workshop at Pence Gallery in Davis, California

A workshop of one day to introduce Botanical Printing to 8 great participants. It is harried but fun to squeeze in as much as possible to this wonderful craft. I surprised everyone with a Sun Hibiscus for each. These magenta flowers were 8" wide and gave a blue purple print. I had no time to photo and am relying on participant's photos.  The following were from Joan Jarvis.











Rendezvous International Calligraphy Conference

What a wonderful time at the conference in Sherbrooke, Canada, at the Bishops University. This was just a few hours from Montreal. However, only as the crow flies. It took over four hours to get there on a shuttle and three hours to get back to the Montreal airport.
I was fortunate to have a fantastic workshop with Georgia Angelopoulus with her study of pigments and inspiration from William Morris. Following are some of my work examinations and experiments.
We first made squares of our own made paints with all natural pigments. Using William Morris as our inspiration, we each made our own designs and without copying his work, we painted our designs with gouache, watercolors and our own made paints.

My first piece, done before the rest of the work below. Georgia mentioned that it wasn't a square but she really liked it.

Three pigments, each row of four squares, turquoise, buff and red ochre

All squares with a base version of indigo

Metallics of different golds and silver and added debossing.

Tuesday, April 9, 2019

Make Your Own Alphabet Book

This last weekend, Friends of Calligraphy invited Julie Wildman of Chicago to show her stuff. The exercises she gave to the class was to make our own alphabet with those exercises and finally making a soft cover book with the 26 letters. To find a form, we scribbled with our dominate and then our non dominate hand. Then we took these strokes and used various tools to make more with them.  Wet walnut ink with added metallic watercolors made amazing colors. Also adding metallic powders to it was also beautiful. When we made our pages for the book we had to decide if the letters could all be of one found form or each different. After making a few different full alphabet letterforms, I chose to do mine all different for each page.


The preliminary scribbles and alphabets


...different strokes for different folks. I didn't quite finish..but here it is;





Had not finished N-O-P........and RSTUVWXYZ.